Summer Holiday – Blackpool Grand Theatre

Disclaimer: We received free tickets to the show for the purpose of this review but all thoughts  and opinions are our own. 

Thirty years ago, we were in the audience when Summer Holiday first hit the stage in Blackpool. Last night, we returned to see a fresh new take on the classic Cliff Richard film, this time adapted for the stage by Michael Gyngell and Mark Haddingan. 

Based on the 1963 film starring Cliff Richard, Summer Holiday follows a group of bus mechanics who are looking forward to a well earned summer break. With limited funds and no transport, they come up with a plan – convert an old Blackpool double-decker bus into a mobile home and head off to the Continent. 

Naturally, things don’t quite go to plan. Along the way they come across a broken-down car carrying Do-Re-Mi, a band desperate to get to a singing competition in Athens. The lads decide to change their route and take them there, picking up a stowaway called Bobby along the way. There’s just one small problem: Bobby is actually a girl, running away from her rather overbearing mother. And, as anyone who has ever watched a musical will know, adding romance, a band and a secret identity to a road trip is never going to make for a quiet journey. 

So onto the music and quite frankly, there’s enough 1960s nostalgia here to make anyone who remembers the decade feel 17 again. There are plenty of songs from the original film, including The Young Ones, Living Doll, Bachelor Boy and of course the title song Summer Holiday. Rather than having an orchestra tucked away in a pit, the cast themselves provide much of the music. Almost everyone plays an instrument and, remarkably, they manage to act, sing and dance while doing so and it works brilliantly. The live music adds to the energy of the production and fits perfectly with the whole idea of carefree, hip 1960s teenagers setting off on the adventure of a lifetime.

Picking a favourite performance isn’t easy, but Jane McCarry as Stella, the fame-obsessed mother of stowaway Barbara, is a particular highlight. She is perfectly cast and forms a brilliant comedy double act with Greg Last as Jerry, the spectacularly useless agent. Together, they are comedy gold and every appearance feels like someone has quietly turned the dial marked ‘ridiculous’ up another notch. They’re the sort of characters you could happily watch getting themselves into trouble for considerably longer than the plot requires. 

Amanda Stoodley’s set is relatively simple, with a psychedelic 60s-inspired backdrop providing the setting. Considering the entire story revolves around a double-decker bus travelling across Europe, I did find myself expecting something a little grander than a few bus seats and a generous invitation to use my imagination. But this is theatre and by the time the miniature buses appear on stage, you can’t help but smile and go along for the ride. 

This is a fantastic show, full of fun, laughter and plenty of 60s nostalgia. And looking around the theatre last night, as practically everyone was up dancing to the final Do You Wanna Dance, it was clear we weren’t the only ones having a brilliant time. When a show gets an entire audience on its feet and dancing in the aisles, you know it has done exactly what a great summer holiday should do: put a huge smile on everyone’s face.

Summer Holiday is at The Grand Theatre until Saturday 8th August with tickets starting at £18. For more information or to book tickets visit their website here

Photo credits Blackpool Grand

Sunday Roast at The Crown, Blackheath by Shepherd Neame

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Shepherd Neame, the Kent based brewers owned by a local family, have launched some new dining experiences throughout their establishments in Kent and London. We visited The Crown, in Blackheath to sample their Sunday Roast as part of their new dining experiences.

The Crown is situated on the heath of Blackheath’s triangle, sitting at the top of the hill and overlooking the church. Parking is in the side roads of the triangle or there is parking on the hill itself, with the train station a short walk away and the buses stop nearby. There is frequently a circus or entertainment of some sort on Blackheath too.

The pub is recognisable from the large seating area at the front which is frequently full! Food is served every day, and on this particular sunny Sunday, there was seating outside, downstairs in the large bar area and a very picturesque dining area upstairs. The Sunday menu is presented at the tables but the dessert menu is inscribed on chalk boards above your head, so pudding is never very far from your mind as you eat! We opted for the Stuffed Pork Belly Roast, and the Sirloin Steak Roast. The Crown also does the Shepherd Neame Sunday Roast Sharing Experience, which has enough on a sharing platter for two to be able to enjoy, complete with a table side carving.

You can see from the photos that the Shepherd Neame Sunday Roasts provide ample traditions; generous portions of meat, plenty of roasted vegetables and of course, some smashing roast potatoes! These potatoes were cooked in dripping, with a salt coating to give that extra kick. There is also, of course, lashings of gravy too.  We washed down our roasts with a Shepherd Neame Spitfire lager too – they’re most popular lager and one that was being enjoyed throughout the pub.

As for the desserts… there was a selection of locally inspired desserts including Apple, Pear and Pecan Crumble, Morello Cherry Frangipane and there’s a new one on me – Folkestone Pudding. Also known as Kent Tart, it’s a layered tart with a chocolate crust, cream base and chocolate layer on top. It’s similar to a cheesecake but with a rich cream filling that’s similar to custard. It’s the first time I had tried it and it was DELICIOUS! We also had the Warm Chocolate Fondant, which is seen here served with ice cream and crumbles.

I can’t recommend the Shepherd Neame Roasts enough, especially for a lovely Sunday afternoon during the summer. The pork belly was cooked perfectly with a soft, buttery layer of fat and a beautiful stuffing. There was ample beef as well, cooked as requested and tender to the cut. We loved the roast potatoes cooked with a nice thick crust.  We did manage to eat all of it, including the desserts but it was all we could manage for the rest of the day!

The Crown Blackheath: https://www.crownblackheath.co.uk/ 

Shepherd Neame Dining Experiences: https://www.shepherdneame.co.uk/pubs/food/shepherd-neame-dining-experience

9 to 5 The Musical – The Grand Theatre Blackpool

Dolly Parton’s smash hit 9 to 5 the Musical is currently touring the country and we were there for opening night at Blackpool’s Grand Theatre. Based on the much loved 1980 film which  starred Dolly and for which she wrote and composed all of the music and lyrics, this feel good musical is packed full of great songs and laugh out loud moments.

The show opens with Dolly Parton’s famous song, 9 to 5 followed by an introduction from Dolly herself via a ghettoblaster, instantly transporting the audience back to the time of my teenage years – the 1980’s. We hear Dolly’s voice again at the start of the second half and again  at the end which is a really nice touch for Dolly’s many fans.

For those not familiar with the story it follows three overworked office employees, Violet, Judy and Doralee, who are pushed to breaking point by their sexist, arrogant boss. Violet, played by Jade Marvin, is an experienced office supervisor who has worked at the company for years and is hoping for a promotion. Judy Bernly (Kayla Carter) is newly single and is entering the workplace for the first time and Doralee Rhodes (Karla Tracey) is PA to the slimy CEO, Franklin Hart Jnr, played by Tim Rogers. 

United by their frustrations, the trio form an unlikely friendship and soon begin imagining how much better life could be if someone finally stood up to Hart. What follows is a wonderfully funny adventure filled with some very clever twists and surprises along the way.

Whilst the majority of the employees dislike Hart, his admin assistant Roz Keith (played by Jessica Martin), is besotted with him. She gives a fantastic performance in what for me was a highlight of the night, in the song Heart to Hart, surprising the audience with her hilarious and raunchy performance.

The main cast members all gave brilliant performances. Karla Tracey is perfectly cast as Doralee, her voice was fantastic and perfectly mimics Dolly’s southern country style. Tim Rogers as Franklin Hart Jnr brings the house down, never taking the character seriously, completely playing for laughs and with perfect comic timing he is very, very funny from start to finish. 

Amanda Stoodley’s set was simple but effective and worked well as an office with the printers and office equipment cleverly hidden away. It was also very nice to see the band performing on stage rather than being out of sight below the stage. 

The show is packed full of catchy songs including 9 to 5, Backwards Barbie, Shine Like the Sun and One of the Boys and I guarantee that you will be humming them all the way home! 

You don’t need to be a Dolly fan to go and see this musical, if you want a good fun night out, where you’ll find yourself tapping your toes and laughing your way through then go and see it whilst it is at Blackpool. 

9 to 5 The Musical is at The Grand Theatre until Saturday 25th July with tickets starting at £18. For more information or to book tickets visit their website here

Photo credits Andrew Howard.

The Toll House Chelsea Delicatessen, London

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Nestled on a corner of Cremorne Road in Chelsea, London, is The Toll House Chelsea Delicatessen. Previous incarnation of the original building include a dry cleaners, a garage and before it’s present incarnation, it was empty for many years. The present owners have taken the charge to create The Toll House Delicatessen under the moniker of the building’s original intention; an office which collected the toll for the properties on the private land of Chelsea.

The Toll House Delicatessen is based on a premise of serving the community everything from coffee and pastries in the mornings, home working using their free Wi-Fi and providing treats on the way home from work. The Toll House speciality is their Basque cheesecake. Although she is a doctor by day, Alimah makes the cheesecakes in her spare time. Alimah’s Basque cheesecake recipes include flavours such as Pistachio Luxe, Chocolate Decadence, Lotus Biscoff Crunch and Berry Compote. Of course, there’s also an original Basque cheesecake too! We visited on a very hot Saturday afternoon to find the air-conditioned building very welcoming and Tariq, Allah’s husband, was on hand to talk us through how they had transformed the building and show us the cakes.

It may be a tiny place to visit but it has a big heart! The very Instagramable building has a mural along the outside wall which features three frogs – one to represent each of the families’s young children. Following in the Chelsea tradition, there are flowers everywhere and the branding has a twist on the Chelsea blue colour. The original Toll House Clock still stands on the roof too. Inside the blue theme continues with marble worktops and a high  bench for working. The shop is so petite, it needed bespoke marble worktops, chiller cabinets and cabinetry, which give it a certain Chelsea charm. There’s a very grand coffee machine too, which makes fresh specialty coffee.

As for the cakes and pastries,  you’ll find not just Basque cheesecakes but other locally sourced pastries  and sandwiches and salads which are made on site daily. Anyone visiting for lunch will be able to also purchase drinks, crisps and other snacks.

We were lucky to be able to try some of the cheesecakes. Sitting outside in the sunshine, we shared the ‘Chocolate Decadence’ cheesecake. If you’re not familiar with Basque cheesecakes, they don’t have a biscuit base, they’re just cheesecake filling and then baked. Each Toll House Basque cheesecake is 4 inches wide which is more than enough for two people to share. Eating even half a Basque cheesecake was quite some task! 

At first bite, you realise it is incredibly light and not like the heavy cheesecakes you buy in High Street shops. It’s not so sweet either. I am used to Basque cheesecakes being both heavy and sweet with a richness of cream, but I didn’t feel this with the Toll House Basque cheesecake. It’s light and fluffy and has a texture like whipped cream but without the dairy taste. The flavour is more like a light custard with a slight vanilla taste. You can tell that they are not only home made, but they are made that day because the body of the cheesecake is so fresh. We also took home some of the other flavours; Pistachio Luxe, Lotus Biscoffi Crunch and Berry Compote. I think my favourite was the Berry Compote –  the sweet berry flavour works really well with the creamy filling.

The Toll House make cakes and Basque cheesecakes to order and for special occasions. We think they’d be great at weddings or even a tiered Basque as a fabulous wedding cake!  The property is so cute and so accessible for great photos that I’m surprised it’s not more well known on the London scene. The picturesque corner of Chelsea, with the Georgian houses and enormous London plane trees is an oasis for afternoon treats as well as working from home. Tariq and his staff are so welcoming too, that you could try a different cheesecake every day of the week and never feel like leaving!

@tollHouseDeliUK

The Beekeeper of Aleppo

Disclaimer: We received free tickets for the purpose of thhis review but all thoughts and opinions are our own.

The Beekeeper of Aleppo is an award-winning novel by Christy Lefteri which has been adapted for the stage by Nesrin Alrefaai and Matthew Spangler. The book has been sitting on my pile of books to-read for a good while so an invitation to opening night at The Grand Theatre, Blackpool gave me the perfect opportunity to finally find out what the story is about.  

At the heart of the story is beekeeper Nuri (Adam Sina) and his wife Afra (Farah Saffari) who live in the beautiful city of Aleppo and we discover how their world is turned upside down by the Syrian civil war. Forced to flee their home, the book tells the story of how two ordinary Syrians become refugees, making a traumatic journey through Turkey and Greece before finally reaching England, where they seek asylum from the war that has devastated their country.

The narrative is presented in quite a fragmented way, moving between their past lives in Syria and their new lives in the UK. This works brilliantly, underscoring just how broken the lives of Nuri and Afra have become through the effects of war and, in particular, their deep personal loss. Many of the horrors they encounter are only hinted at rather than fully explained and it is often what is left unsaid that paints the bigger picture. 

The story puts a human face onto the often faceless “problem” of refugees. By seeing the story of just one couple we can begin to understand what the real human cost is of the refugee crisis. Whilst the play is quite emotional and moving, there are plenty of lighter moments too, especially when Joseph Long, who plays Nuri’s cousin Mustafa takes to the stage. 

The symbolism of bees hums gently beneath the surface from beginning to end. The ability of bees to survive, how they work as a community and also hope. At the end of the story Nuri is able to finally be reunited with his cousin who has already made the journey and established a new apiary in his new home in Yorkshire.

Visually, the production achieves a remarkable amount with a deceptively simple set. The shifting landscape transforms effortlessly from the shores of dangerous crossings to the family home in Aleppo and later to their temporary accommodation in England. Clever use of projection, lighting and sound helps transport the audience between locations, with crashing waves and subtle atmospheric effects creating a powerful sense of place.

You cannot fail to be moved by this thought-provoking play, and the emotional performances from the cast and whether you’re familiar with the story or not it’s definitely a show worth seeing – after seeing it last night the book is now firmly at the top of my to-read pile! 

The Beekeeper of Aleppo is at The Grand Theatre until Saturday 30th May with tickets starting at £18. For more information or to book tickets visit their website here

Moderato Alcohol-Free French Wine

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

The French (wine) Revolution is here!  Moderato wines are all alcohol-free but are still French beauties with Cuvee, Colombard white wine and the Gros Manseng Merlot. We were sent a bottle of each to try this summer and to sample how good alcohol free wine can be.

We started with the La Cuvée, a light sparkling wine with a slightly acidic taste from the Merlot grapes. It has less than 0.5% of alcohol (they have to give it a slight alcohol rating due to the way it’s fermented) but it doesn’t have the alcohol taste to it. Instead, it’s an effervescent glass which is excellent for summer. I would drink this with a main meal or on its own. It also has fewer calories than wine, so if you’re not drinking it for the low alcohol, it’s perfect for a low calorie diet!

The Colombard is a traditional-tasting white, with citrus flavours and the sharpness that can only be found with white wines. This is also <0.5% alcohol and 7x fewer calories than other white wines and has the white wine fragrance to it too. I would drink this on its own, after work or in the garden in the summer.

The Gros Manseng Merlot is rosé with a softer fruity flavour compared to its Merlot cousin.  It’s definitely a summer drink with lots of energy and a beautiful red fruit uplift.  This is great with food or on its own but lives in summer thanks to the fruity nature of the wine. It doesn’t taste alcohol free either which is a brilliant achievement, even if it is made by the French experts!

All three of the wines are part of a larger range by Moderato to have alcohol free (or sans alcool in French, as the bottles proclaim) that add to your summer without needing alcohol. Delicious!

Gros Manseng £14: https://le-moderato.com/en/products/alcohol-free-rose-revolutionary-cuvee-merlot-gros-manseng-1

Colombard £14: https://le-moderato.com/en/products/alcohol-free-white-wine-colombard-revolutionary-cuvee

La Cuvée £14.50: https://le-moderato.com/en/products/the-sparkling-revolutionary-cuvee-blanc-de-noir-without-alcohol

Helly Hansen Women’s Aden Insulated Coat

Disclaimer: We received this product free of charge for the purpose of this review and all thoughts and opinions are our own.

As the days grow longer and we step into Spring there is still quite a nip in the air so it’s not quite time to hang up the coat just yet.  The Helly Hansen Aden Insulated Coat is the  perfect choice for this in-between season as it is warm without being bulky, and and it’s waterproof, which is always a very good thing, particularly if you live in the North West where rain is less of an occasional inconvenience and more of a recurring theme!

As I’m 6ft tall with long arms, finding a coat that fits properly is often a challenge, and I frequently end up buying men’s coats just to get the sleeve and body length I need. Buying online can be risky but I found Helly Hansen’s online size guide really helpful. By  entering your measurements it recommends the best size and suggested Large for me, which fits well, although next time I would probably size up to allow for a thicker jumper underneath, as it does feel a bit snug with one on. The cost is a good length, covering my bottom nicely, so on someone shorter it would likely sit around mid-thigh. The adjustable hood is a good size and stayed firmly on my head even on a blustery coastal walk.

The coat features HELLY TECH® Protection, meaning it’s waterproof, windproof and breathable, along with PrimaLoft® insulation which makes a real difference on those colder spring days. Despite not being overly padded, it feels surprisingly warm and cosy. There are two zipped hand pockets and a generous inside zipped pocket that easily fits my phone, which is always useful for keeping it dry in wet weather.

The coat can be washed at 30° and it is recommended that it is tumble dried on a low heat to reactive the water repellent treatment.

Overall, I really like the Helly Hansen Aden Insulated Coat. It’s comfortable, practical, and has been doing a brilliant job of keeping out the wind and rain in the unpredictable Spring weather that we’ve been exposed to over the last few weeks. With its tailored fit and waterproof protection, it’s a great choice for walking or everyday wear.

Available in a choice of four different colours, (Black Grape, White, Black and Navy) it is priced at £150.

Le Bab Restaurant, Soho London

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

In the alleyways between Regents Street and Carnaby Street, you’ll find Kingly Court tucked away where you can’t see it. On the top floor sits Le Bab, the World-influenced kebab restaurant that’s part of a chain across London. 

The moody, candlelit atmosphere is far from overlooked thanks to being on the highest floor and overlooking a gallery looking down to the restaurants below. There’s a maximum of 40 covers including the bar and window seats and even when half full there was atmosphere. We started with cocktails, including an incredibly strong Negroni as you can see from the photo!



We ordered the mixed mezze for starter, which included hummus with steamed broccoli and two different naan breads including garlic bread. This was delicious, and could have been a meal in itself! The bread was obviously baked on site because it was so fresh and so warm. The broccoli was not something I’d seen before, as it was arranged like a tree on the plate and cooked whole. We cut off pieces of the broccoli tree, tore up the garlic naan bread and devoured the hummus bare handed. 


Next were the mains. I had the Dirty Bab; a chargrilled lamb with chips, piled with pickles, chilli, lamb’s lettuce and mayo. My guest tried the Mixed Grill Kebab with chicken and lamb plus red cabbage, chilli and mayo topped with leaves. Both kebabs were sitting on a flat bread, so you could wrap them up if you wanted to, or cutlery is brought to your table. In both meals, the lamb was incredibly tender and the flavour from the chargrilling was fabulous.  The chilli can be on the side, which I’m very glad we both chose to do because it was so hot, but it added yet another layer of flavour to the meal if we wanted to.  Both of us had to leave some of our kebab because there was so much!

For dessert, there was a choice of only two items. We could have done with something with ice cream as the chilli was so hot and the meal so filling, but we each had the desserts; baklava and sticky toffee pudding. The STP was extremely light, not heavy and dull like most puddings. It was covered with chocolate sauce, giving the sweetness you crave at the end of a meal. The baklava was also sweet, and as one huge piece, it was a meal on its own.

We enjoyed the meal and the restaurant immensely.  There was far too much food in three courses for two people, but I’m glad we got to sample the kebabs as well as the mezze. The mezze alone would have been a great meal, but there’s plenty more on the menu which I could happily have ordered – or maybe I’ll come back another time and sample it!

Le Bab Soho, Top Floor, Kingly Court, Carnaby St, Carnaby, London W1B 5PW

Macellaio Italian Steak House, Soho London

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Right between the Guilgud Theatre and Sondheim Theatre in London’s Soho district, the Macellaio Italian Steak House sits proud on Shaftesbury Avenue. From the outside, the gingham curtains cover diners and hide the depth of the restaurant and what’s inside.

The first glimpse as you venture indoors is the huge meat counter.  Rows of steaks ready to be cooked in the kitchen are lined up ready to eat.  The restaurant is rustic, as if you are in a restaurant in a non-touristy town somewhere in Tuscany and everyone speaks only Italian, and the lights are low.  The tables are arranged in a café style and the centre of the ceiling opens up to the second floor of the restaurant, where you can see more people dining and another bar awaits you.

The menu is a mixture of pasta and grill, with everything on the grill from cheeseburger to T-bone, but of course, the Italian version of T-bone!  You can also choose spaghetti or ravioli ragu, like I did. The meats aren’t actually from Italy but from the Lake District, and aged 7 weeks to have the perfect tenderness and marbling. The breeds are a mix of Italian Maremmana and Angus beef to give a depth of texture and flavour. We were treated to a beef tallow dipping candle (as the candle melts, it created a fat reservoir to dip bread into). We also chose the Focaccia al Formaggio, which has a thin base and rich Stracchino cheese.

We were seriously impressed with our meals. They were authentically Italian with homemade, al dente pasta and slow cooked beef ragu which is the quintessential Italian pasta dish not ruined by commercialisation. The cheeseburger was too large to finish, along with the skin-on chips! The Marango cheese on the beef patty melted perfectly into the bun and complimented the beef.

No Italian restaurant can be complete without the tiramisu or profiteroles, and in our case, it was both! The tiramisu was extremely light and fluffy, nothing like the Anglicised version we have in pizza houses today. There was a hint of coffee there but no alcohol to overpower the dish. The profiteroles were also homemade, with lashings of chocolate (but not sweet) sauce over them and filled with an incredibly light cream. We topped off the meal with an Italian coffee, just to add to the authenticity of our visit!  

The staff were very welcoming and incredibly attentive throughout the meal. The atmosphere of the restaurant is that of a laid-back, rural Italian salon with moody lighting and candles with the meat counter in the middle of the room which bounces light and the sound around so that you can still talk without being drowned out.  There are two other Macellaio restaurants in London (South Kensington and Exmouth Market), which have similar menus. As a concept, eating both steak and Italian cuisine in the same evening is a winner for me!

Macellaio, 39-45 Shaftesbury Avenue, London W1D 6LA

https://www.macellaiorc.com

That’ll Be The Day 40th Anniversary Show

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

The hit show That’ll Be The Day celebrates 40 years of touring this year, with a celebratory show that travels throughout the UK in 2026 in two separate tours.

Created by Trevor Payne, who features heavily in the show, That’ll Be The Day chronologically traces music from the 1950s through to the 80s with an emphasis on the early days especially the 60s. The show is in two parts with the second, shorter part being more about the 70s and 80s.  As a show, it is interspersed with sketches about the eras (the Mick Jagger sketch is particularly funny!) and Trevor talks about some of the memories from the past, such as school and how your Mum used to tell you off as a child when you talked back!

The music is the real star here. Trevor explains that the show evolves over time so if you’ve seen the show in the past, this iteration will be completely different to what you’ve seen before.  We start with Billy Haley and Rock Around The Clock, and go into some Dusty Springfield, Four Seasons, Beatles, Elvis and then onto Rolling Stones, Diana Ross, the Eagles, Blondie and many more.  Each song is a hit and has you dancing in your seat. The whole show is upbeat and has lots of songs you’ll recognise such as Help! Simply The Best, Good Vibrations and finishing with the Buddy Holly song, of course, That’ll Be The Day! Look out for the Roy Orbison song too, Pretty Woman, which serves as a running joke throughout the show.

The show collects money for the Make A Wish Foundation charity, and singer Tom Ball, from Britain’s Got Talent, also makes an appearance for several songs.

This is a brilliant night out with a tour that takes in most of the country and appeal to anyone who loves music, not least for those who lived through it and want to bring back memories.  It goes on for over 3 hours too, so there’s no end of entertainment. 

Tickets available from: https://www.thatllbetheday.com/

Sea-Band Nausea Relief Bands

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Going on holiday this year? Chances are you’ll be using some kind of big transport – aeroplane, ferry, train and even the car.  Most children get motion sickness on new transport and especially on long journeys in the car so some kind of remedy is needed. I know when I’m on a ferry, or a cruise, the sea sickness is atrocious and even with medication it takes a long time to fade.

Sea-Band Nausea Relief Bands are not medication but a great alternative to preventing any kind of sickness. Based on acupressure points, similar to acupuncture, the bands wrap around your inner wrist and exert pressure on a particular point to relieve sickness.  It sounds wacky, but the acupressure point seems to lessen the effect of sickness regardless of whether it is sea sickness, morning sickness, as a result of drug treatment, post-op recovery or even VR/gaming sickness. The bands don’t only prevent sickness from starting but they can eliminate it within 5 minutes of being put on.

There are no side effects either. You can still take anti-sickness medication whilst wearing the bands if you wish, but they are very discreet and can fit under a sleeve if you want to hide them and prevent questions! 

There’s no reason not to give them a try, no matter what reason for the sickness. There’s no down side, and they might prevent that horrible feeling of moving around constantly, which is what I had on a recent cruise. The bands ramp-up your defence against any kind of nausea and anything that can help me have a good time on a cruise, or even just let me tolerate a long journey, is a friend for life!

Available online from £6.99 at: https://www.amazon.co.uk/Sea-Band-Wristband-Anti-Nausea-Acupressure-Sickness/dp/B001F731N0/ref=sr_1_6?crid=23OC1LI97Z8IT&dib=eyJ2IjoiMSJ9.xG1fWVDLibx5j3zegpMmrad7IAwAH1e8ecShnu02ahISGpw02YikpHTCQIBSgtaIr1a2JGwYTRIGMapd5SJYw3ntwO_vHwr0nxE-j4CznzyVllb6Ru2W3lWy9pVGyIvaAaaJLqaVJ0BS7GyJSD–r6dhQ2Bfd8txbI_ix7LjYdjPPT6FYbAnJyiMZ1E1AMNoOJR5fBL0KwS9JvnKCIVUVSn7263OKgRbUSm6u_Ep-zqu7gvRCr20Iv_qj6WQQj5jbn2yzl7emot8xoNs7KMzwHATnsDKFKf1zyCVPZtuTPU.Rv2ZpwuN–Sivtng2C1yg5__3C6oBRElzGMbJR_r6ig&dib_tag=se&keywords=sea+band+nausea+relief&qid=1769621474&sprefix=Sea+band%2Caps%2C101&sr=8-6

Beauty & the Beast – The Grand Theatre Blackpool

It’s December and the panto season is in full swing and there’s nowhere better to soak up this Christmas tradition than in Blackpool. Nothing says festive fun quite like a good old-fashioned pantomime, and in Blackpool, where the humour is gloriously cheeky and the double entendres glide in quicker than a seagull after chips – it’s family entertainment at its finest.

Betty Legs Diamond, the original Funny Girl herself, strides on as Dame Polly La Plonk, resplendent, outrageous and armed with a wicked glint that suggests she could reduce a grown man to helpless giggles with nothing more than a raised eyebrow.

Belle, played by Kitty Harris is exactly how a fairytale princess should be. She’s beautiful and kind and you can easily see that she sees past the horns, fur and claws to spot the prince within.

Leading the all-star cast is Coronation Street baddie Marc Baylis as Hugo Pompidou. He strides across the stage with the perfect mix of danger, drama and irresistible charm, making it impossible not to boo the moment he appears.

Photo credit © Blackpool Grand Theatre | Photography Martin Bostock

But the real heart of a Grand Theatre panto is, as ever, Steve Royle. Having earned the title of the UK Pantomime Awards’ Best Comic, he bounds onto the stage like a child who’s had too many fizzy drinks. His energy, perfectly timed slapstick and razor-sharp adlibs had the audience in stitches from the moment he appeared on stage.  

Photo credit © Blackpool Grand Theatre | Photography Martin Bostock

The costumes this year are an explosion of colour, big, bold and bursting with personality. The Beast’s costume is particularly impressive and with his swishing cloak he cuts quite the imposing figure. The transformations from prince to beast and back again are especially impressive, they are so quick that you half expect to find Doctor Who lurking in the wings with a malfunctioning time vortex! Maybe one to include next year!!  Elsewhere, the French theme justifies a profusion of red, white and blue. The dancers seem to have a new outfit for every scene, while Dame Polly’s costumes… well, let’s just say they’re that little bit more daring. Would we expect anything less?

The show is peppered with brilliant scenes, from classics like the Ghostbusters routine to wonderfully funny adlibs when the balloon scene went deliciously off-script.

Photo credit © Blackpool Grand Theatre | Photography Martin Bostock

Choreographed by Katie Hill, the talented dancers from The Barbara Jackson’s Theatre Arts Centre were excellent, wowing the audience with a variety of different dance styles. We especially enjoyed the Can Can which added a typical French flourish to the show.

Beauty and the Beast runs until Sunday 4th January, giving you plenty of time to catch this magical, laugh-out-loud production. If you love pantomime – and honestly, who doesn’t at Christmas? – this is one you absolutely won’t want to miss.

Tickets start from £15 and are available from The Grand Theatre here

Photo credit © Blackpool Grand Theatre | Photography Martin Bostock

Vivat Bacchus Restaurant, London

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Tucked behind the Hays Galleria in London Bridge, Vivat Bacchus is a traditional steakhouse which serves South African dishes, cooked in the traditional South African style. This branch of Vivat Bacchus also contains an extensive wine cellar, which of course stocks South African wine, but there’s also something called a Cheese Room – yes, a room full of just cheese!  We visited on a miserable evening before Christmas to sample the best South Africa has to offer.

The menu is not just African food, but contains well known dishes such as burgers, sea bream and steaks but some of the ingredients, like Springbok, aren’t what you would usually find elsewhere!  Some of the spices are different too, and the cooking methods aren’t what we’re used to in the UK. However, this was a pleasant surprise as it’s nicely removed from the usual pizza places and fast food joints that are everywhere now, and the price of a pizza isn’t far off the price of the main meals at Vivat Baccus, plus you get more for your money here as the portion sizes are pretty huge!

We started with the Smoked Snoek and Pap Fishcake and 3 Sosaties – a dish of three mini kebabs of chicken, lamb and Boerewors served with baked apricots, pepper and onions.  These were delicious little treats, with an oil sauce that brought out the flavour and made a nice change to the usual starters. The Smoked Snoek and Pap Fishcakes are obviously made with fish found in South Africa and not our usual British waters, so the flavour of these was a gorgeous surprise. We were also given a baked corn bread as a starter, which came in a piping hot skillet as an accompaniment.

For mains, we ordered the Pork Belly (my favourite!) and a side of creamed spinach, and Vivat Bacchus’ famous beef burger with fries. The beef burger was enormous; with a salad and the chunkiest chips I’ve ever seen! There was so much there, we could hardly touch the side salad. The Pork Belly comes with a delicious Rainbow Coleslaw which has a slightly tangy dressing to counter the pork belly savoury taste. The Pork Belly was divine… a descent slab of meat, cooked until tender and soft enough to be pulled apart, with a seasoned crackling on top which was very easy to cut through, unlike some arrangements. This was perhaps the best Pork Belly dish I’ve ever had, thanks to the seasoning and the tenderness of the meat through the cooking process.

We were then treated to dessert.  Much like the rest of the menu, the desserts are a South African twist on the usual staples but there are also so completely unique items.  I tried the Crisp Peppermint Tart, which sounded like nothing else I’d heard of before.  A huge dish of cake was brought out to me and I was asked how much I wanted, which was a really nice touch when you’re completely full! Of course, I was given far more than I expected which I took to be part of the African hospitality.

The Crisp Peppermint Tart is a layered dessert with sponge, a mascarpone-type filling and peppermint on top. There’s crisp biscuits lining the top of the pudding too, giving it a juxtaposition of textures. This was divine! I really loved the peppermint flavouring after such a heavy meal, and the mascarpone filling was bubbly and light, making it easier to digest. The sponge was also firm enough to call a proper dessert in itself – think Tiramisu but with peppermint on top and sprinklings of chocolate and biscuit. This is one that I want to make for myself at home!

We didn’t venture too far into after dinner dessert wines or the extensive wines they have on site, but we did have the South African version of Champagne – a sparkling white wine with bubbles and a touch of acidity.

There’s a great atmosphere in the restaurant with wooden floor, chairs and tables, which I don’t think is particularly South African but the wine cellars and bottle presentation boxes are. It can get quite noise in there with the low ceilings and I noticed that there were a lot of couples at tables rather than bigger gatherings but that might just be because it was a Monday night. Incidentally, they do 2-for-1 on burgers on a Monday night too, which might explain how busy they are!

Having never been to any of the Vivat Bacchus restaurants before (there is another one in Farringdon) I was more than pleasantly surprised by the choice on offer, and with how removed it is from the usual chain restaurants on the market. The food was excellent, the wine was equally as good and the staff looked after us. In answer to your question, no, I did not manage to finish the Crisp Peppermint Tart in the end – maybe next time!

https://www.vivatbacchus.co.uk/london-bridge

https://www.vivatbacchus.co.uk/farringdon

Emerald Storm at the Emerald Theatre, London

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Hailed as the 21st Century’s answer to Riverdance, the Emerald Storm production by Adam Garcia returns to the West End again, and this time at the Emerald Theatre.

A fusion of Irish dancing, tap dance and urban street dance, the story is brought to audiences by The Boss, played by Tom Ball. A singer in a cabaret show, The Boss punctuates the story as Irish dancers take the stage, The Boss sings, and the immersive theatre happens around you. Watch out for the Mop Boy at this point… then the dancers blend away as tap dancers take the stage and finally singers take on the harmonies as they all take it in turn to bring the dance experience to you.

Every song in this musical extravaganza is accompanied by dance.  The theatre is a cabaret-style, two tier theatre with cocktail tables, several bars and sofa seating to sit back and relax. There are actors walking around before and after the show, who then appear on stage as part of the story.  Not only does Tom Ball need a shout-out for his talent, but principal dancers Olivia Graydon (Irish dancing) Bayley. Graham (tap) and Matt Walker (Mop Boy) also feature heavily in the dancing as well as the interactivity. There’s lots of stomping, clapping, audience echoing and the main show is book-ended with a house band to open, and audience tap dancing on stage afterwards.

There’s a fabulous energy to the show and lots of smiles – genuine smiles between the performers who all hail from performing schools across the country.  The mix of different dance styles is really engaging and is heightened by some fabulous singers and cheeky to-and-fro between the cast and the floor.

It’s an energetic night out with lots of uplifting dance and music, close up and in a cocktail evening style that you don’t get in many places across London nowadays. Magnificent! 

A Fairytale for Christmas at the Dominion Theatre, London

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Kick start Christmas with an Irish-themed song and dance spectacular in London’s West End! We were lucky enough to see the show live and experience the entertainment of Irish dancing, Christmas classics, live music and a few Christmas jokes in between! 

Starting the show with an Irish band of banjo, violin and guitar, we are introduced to the 6 Irish dancers who accompany the 130 minute long show.  Shane is our main compere and brings us to the show, starting in New York with a lean towards an Irish Christmas tale. We meet the six Irish dancers early on and are treated to a Riverdance-style performance with songs such as Santa Claus is Comin’ To Town, Step Into Christmas and some traditional songs such as Oh Danny Boy, O Holy Night and old-fashioned Irish songs like The Galway Girl, The Irish Rover and Dirty Old Town.

The band are phenomenal and take on the title of ‘house band’ with pride as we’re treated to great live music thanks to Shane Morgan (vocals), Oliver Cave (vocals and guitar), Peet Jackson (banjo), Molly Farmer (vocals) and Caitlin Forbes (Violin).  The show finishes with some chart hits of yesterday such as the famous Fairytale of New York by The Pogues. The show ends with an Irish St Patrick’s Day party where everyone is on their feet, singing and dancing to the songs of A Fairytale for Christmas. A fabulous show for the whole family.

Salomé by Oscar Wilde – Theatre Royal Haymarket, London

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Wow. Oscar Wilde’s Salomé is probably one of his least known plays (Lady Windermere’s Fan, An Ideal Husband) but was actually one of his biggest grossing and most controversial. The Gesher Theatre Repertoire take this production stratospheric with their portrayal of the Biblical story in an amazing, West End production.

The story of Salomé is easy to follow despite the dialogue being over 100 years old. Salomé (Neta Roth) is the stepdaughter of King Herod (Doron Tavori), who is married to her mother (Lena Fraifeld). Jon the Baptist (Shir Sayag) is referred to as Jokanaan in the play, and is imprisoned by Herod for Jokanaan’s comments about Herod’s wife, Herodias.  Herodias. Thinks nothing of Jokanaan, but her daughter Salomé is obsessed by his voice and wants to meet him. Her obsession grows, and she wants to touch him and kiss his mouth but Jokanaan, believing she is the “daughter of Sodam” tells her to stay away from him and that she will never kiss him.

Herod becomes infatuated with Salomé and begs her to dance for him, exclaiming that she can have anything in his kingdom if she does so. Herodias begs her daughter not to dance for her husband, but eventually, Salomé dances the dance of the seven veils for her stepfather.  In return, she tells him only after he has sworn on oath to give her anything, that she wants, “The head of Jokanaan on a silver platter.” The discussion goes on for some time as Herod offers her anything but the death of John the Baptist, as Herod is fearful of what may happen if he kills a prophet. He eventually relents though, and Salomé gets her wish.

I won’t give away the ending but let’s say it’s fitting, and very dramatic.

The creative production of this play is beyond amazing. Based on the troubles in the Middle East, there isn’t a corner spared which hasn’t been thought out carefully. You forget that this play is 125+ years old as the costumes, stage scenery and acting are exemplary.  I cannot over emphasise how good the acting is in this production, especially Neta Roth and Doron Davori, who create the most amazing energy and Roth especially, who is in nearly every scene of the one-act play, has a talent you only see in the West End. I also need to pay respect to Shir Sayag who plays John the Baptist. The scenes where he is captive and then again when Salomé meets him face-to-face are astonishing. 

I came away from the play with a new found respect for Wilde, but this production takes it to a whole new place. It’s a very thought provoking, modern take on an ancient story but an exceptionally well written Oscar Wilde play. I could go back several times and see this production, for the creative freshness it brings but the outstanding cast and their interpretation of the story, it left me in awe. Exceptional! 

Salome runs at The Theatre Royal Haymarket until 11 October. Details and tickets: https://trh.co.uk/whatson/salome/

The Shawshank Redemption – The Grand Theatre Blackpool

Disclaimer: We received free tickets to the show for the purpose of this review but all thoughts  and opinions are our own. 

Based on a Stephen King short story, The Shawshank Redemption soon became a classic following the 1994 film which starred Tim Robbins as Andy and Morgan Freeman as Red. We went to Blackpool’s Grand Theatre last night to see the stage adaptation, cleverly adapted by Owen O’Neill and Dave Johns and directed by David Esbjornson and I’m pleased to say that it didn’t disappoint and was just as gripping and powerful as the original film was.

If you’re not familiar with the story it is about Andy Dufresne (Joe McFadden), a quiet banker convicted of murdering his wife and her lover. Despite protesting his innocence, he is sentenced to two life term sentences and sent to Shawshank State Penitentiary. There, he befriends long-term inmate Ellis “Red” Redding (Ben Onwukwe), the prison fixer who can get hold of almost anything. Red guides Andy through the harsh reality of prison life – beatings, corruption and violence,  brutally inflicted by both guards and inmates. When the corrupt Warden Stammas (Bill Ward) discovers Andy’s talent for numbers he exploits his accountancy skills for his own benefit.

Bringing such a tough story to the stage is no easy task – the story includes violence, a gang rape and murder but whilst alluded to on stage it is very much played down in this production and the notorious attack by “the Sisters,” is sensitively done but still carries a powerful punch.

We were really impressed with the set, shabby prison walls and clever lighting create a strong sense of claustrophobia, drawing the audience into Shawshank’s oppressive world. Scene changes are seamless, and music is used to mark the passage of nearly twenty years.

Performances across the twelve-strong, all-male cast are excellent with Joe McFadden capturing  Andy’s quiet resilience whilst portraying a man who refuses to give up hope despite impossible odds. Ward slips with ease into the skin of the vile Warden Stammas but it is Onwukwe who really stands out – also acting as narrator, pulling the story together with warmth and humour, despite the tough storyline.  

We really enjoyed the show and judging by the standing ovation at the end of the performance, the rest of the audience did too! The Shawshank Redemption runs at The Grand Theatre, Blackpool until Saturday 27 September, and it’s a production I’d highly recommend – whether you know the story already or are new to it.  

Tickets are available from £15 with concessions for 1894 Club members and Friends of The Grand. Group rates are also available.

Please call the Grand Theatre Box Office on 01253 290190 or visit www.blackpoolgrand.co.uk for full listings, bookings and further information.

SEA LIFE Aquarium London

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

When it comes to summer holidays, the weather is always better the week before children break up from school, making it difficult to book things to do! The SEA LIFE Aquarium London is the safest bet yet for planning as it’s completely indoors and therefore weatherproof!

Located on the South Bank, in the old County Hall building and next to The London Eye (giant ferris wheel) there is plenty to do in the area.  Book tickets to SEA LIFE Aquarium online and you can reserve your entrance time and plan your day ahead, including transport.

The SEA LIFE Aquarium starts with the Atlantic section. There are more than 10 sections throughout the aquarium including Antarctica and Rainforests, acting as a tour around the world via aquatic life.  The aquarium follows a path where you meet fish and sea creatures in different tanks with informative digital displays that tell you the fish contained within the tank as well as information about their habitat and how endangered they are. There are all sorts of fish, star fish, lobsters and other animals to look at which the children found fascinating and there was certainly something for everybody. You can read as much or as little about the species as you like, or just watch them swim around. Photos are also possible.

As you travel round more tanks, you come to the main attraction of the underwater exhibition – a huge tank containing sharks, turtles and stingray!  There are ample windows around the tank and seating points for small children as well as adults to be able to sit and watch, or in the case of most children, to sit and point at the animals. The sharks are seriously impressive due to their size and their elegance but the turtles are huge, and look just like Crush in Finding Nemo! The stingray and turtles swim around and come up to the glass to ‘greet’ onlookers which makes for some fabulous photos. Some of the sharks swim too, but there are a couple of basking sharks at the bottom of the tank which you can see up close.

Walking around the rest of the exhibitions, there’s an area with Ben Fogel talking about the habitats of the rainforest, an area of rockpools where you can touch shark eggs and star fish and learn about their lifecycles from a member of staff. We loved hearing about how the turtles in the main display were rescued from a turtle farm and brought to London and got to see a real turtle shell, its skeleton and be able to touch it.

The displays are interspersed with different types of interactions, professional photos, a virtual reality lab and activities for children of all ages. We saw babies being carried forward facing so that they could look into the tanks and toddlers being able to watch the motion of the fish for what must have seemed like hours to them!

For both adults and children, the best display has to be the penguins. A large pool with an equally large area of hardstanding behind big glass walls houses the penguin colony who were entertaining and inquisitive. They didn’t seem to mind the number of people watching them and seemed genuinely nosy and came face-to-face with the public with no fear. We watched for ages as they did dove into the pool, swam for fun, swam for hunting and then hopped out of the water onto the ground. There’s ice being churned out all the time to keep them cool and the viewing window (a globe above ground where children can stand and watch them) was especially good fun. The children loved the antics of the penguins and how close they could get to them and we loved watching them. I could sit there for hours! 

Before finishing, you go through a sea of jellyfish too, which were magical and fascinated the smaller children with their illuminous properties. The SEA LIFE Aquarium finished with a huge gift shop selling all sorts of soft toys, mugs and keyrings as well as more for the grown-ups. You can purchase the photos at this stage too before walking out to South Bank where you are right next to the London Eye and Shrek’s Adventure.

It took us about 2 hours to walk round the whole exhibition with stopping to see the fish in each display, taking photos and roughly reading the information boards. By the end of the day, we were buzzing from all the sights and sounds of the aquarium and being able to see animals and fish we would never usually get to see in London. It’s a fabulous day out!

Tickets available online at: https://www.visitsealife.com/london/

BBox Insulating Flip Top Bottle

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

The insulating Flip Top Bottle from BBox is one of those items you don’t know you need until you start using it. The 690ml bottle (shown here in spearmint colour but is also available in varieties of blue, green and pink) appeals to both adults and children thanks to the colours as well as the easy of use and volume.  It has stainless steel inners with a similar stainless steel straw and a flip top spout so that it doesn’t spill. There’s a bendy carry handle too which makes it easy to fix to a backpack or carry by hand and not get broken.

I found this really easy to use. It’s easy to fil up with the screw lid coming off to reveal the stainless steel. Your water doesn’t have to touch any plastic.  I am particularly passionate about not using plastic bottles because of the damage they do to the environment, but few people know what damage plastic does to our bodies, so stainless steel is the best option.  I like the fact that the BBox Insulating Flip Top Bottle can keep drinks cold as well as hot, so it has use during both the summer and the winter. 

It’s great for take out on trips, and the robust design means it can be taken to football games, put in the car (the insulating layers means it won’t get hot quick) or in a backpack for lunchtime.  The huge capacity means though, that you can stay hydrated all day on just one fill up. It can take drinks from temperatures as low as -20C right up to 120C. Tell me who wouldn’t want to use a versatile insulating bottle with those credentials?

Available from £28.99 at: https://uk.bbox.com/products/690ml-insulated-flip-top-bottle-spearmint?_pos=3&_sid=55527eae2&_ss=r

Grease The Musical at The Grand Theatre Blackpool

Disclaimer: We received free tickets to the show for the purpose of this review but all thoughta and opinions are our own.

Blackpool Grand Theatre rolled out the pink carpet last night for its vibrant new production of Grease the Musical, presented in collaboration with Pitlochry Festival Theatre. From the moment the curtain rose, the audience was whisked away into the colourful world of 1950s American high school life, filled with teenage drama, romance, and rock ‘n’ roll energy.

As a lifelong fan of Grease, I arrived with high expectations and the brilliant cast exceeded them at every turn. What made this production really stand out was that the performers didn’t just sing and dance; many also played their own instruments live on stage. Rather than relying on a separate orchestra, the cast doubled as the band, seamlessly integrating guitars, saxophones, drums, and keyboards into the action. This added a raw, electric energy to the performance and gave the musical a fresh, live-concert feel.

Alexander Service delivered the perfect blend of swagger and vulnerability as Danny, effortlessly capturing the essence of the iconic character. His on-stage chemistry with Blythe Jandoo who played Sandy, was unmistakable, especially during their heartfelt duets, my favourite of which was their last song  “You’re the One That I Want.”

The choreography by Kally Lloyd Jones was also a highlight, from energetic hand jives to slick twists and turns, the cast nailed every move with infectious enthusiasm.

The staging was dynamic and clever, making full use of the Grand Theatre’s space with smooth transitions between Rydell High, Marty’s bedroom, and the burger bar. While the film’s famous car race scene was understandably omitted, Greased Lightning made a couple of thrilling appearances, including being impressively driven off stage to the audience’s delight.

As the show built to its joyous finale, the themes of change, acceptance, and young love came into sharp focus. Danny’s transformation into a letterman and Sandy’s bold new look sparked cheers, culminating in a high-energy rendition of “You’re the One That I Want.”

It was impossible to single out a favourite performer, each cast member brought something unique, and together they created a night of nostalgic, foot-tapping, feel-good theatre. Whether you’re a lifelong fan or new to the story, this is a must-see show.

Tickets start at £15 with school and group rates available

Grease The Musical is at The Grand Theatre Blackpool Opera House until Saturday 14th June.

For more information or to book tickets visit: www.blackpoolgrand.co.uk or call the box office on 01253 290 190

Photo credit dannywithacamera.com
 

Helly Hansen Women’s Verglas 2.5 Layer Fastpack Jacket

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

In our final item from the Helly Hansen delivery, we have the Women’s Verglas 2.5 Layer Fastpack Jacket.  This extremely lightweight jacket can be folded into one tiny sized pocket to take on hikes, or can be worn whilst running or hiking without getting in the way due to its weight. It’s waterproof too so you can keep the majority of the weather away from you. It’s breathable too so you can wear it in the rain, when it’s windy or hot or a combination of all three!

The added benefits of. The Verglas 2.5 Fastpack Jacket include a hood, zip-up pockets, fleece chin guard, elastic cuffs and hem, and the 2.5 layer material construction which adds the waterproof and breathable functions.  It’s pricy at £200 but it’s meant for the serious outdoor types who love the wet weather!  This is a quality piece which can be worn or taken out for years.  I wear a size XL in this and it’s a bit snug, so if you’re bulked up with layers underneath, it might be worth getting a larger size than normal.

The Veriglas 2.5 Layer Fastpack Jacket is brilliant for putting in a backpack on a long journey, even if you’re just travelling by train across the country or leave it in the car because it’s so light it can’t not be useful.

Available from £200: https://www.hellyhansen.com/en_gb/w-verglas-25l-fastpack-jacket-63313?color=290002

Helly Hansen’s Women’s Escape Anorak

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Some relief from the recent rains – the Helly Hansen Escape Anorak for women is an all-season lightweight waterproof jacket, perfect for hiking thanks to its design. There’s a huge pocket at the front with a roof to prevent rain getting in, so you can store your phone, map and keys all in one place whilst you walk.  The waterproof material (100% polyester) dries quickly and stretches too, especially along the seams. I like this jacket because the arms are particularly long, and it doesn’t have a fastening – you just throw it over your head and the rain can’t get in! The high neck has vertical poppers to both keep you warm and there’s poopers on the cuffs too, which limits the amount of water in your sleeves when it’s REALLY raining! It has an adjustable hem too – a draw string to keep you snug when it’s cold.

This jacket isn’t just for hiking but for any outdoors pursuits, especially because it’s so light that you can put it in the car and forget about it. The jacket comes in other colours (pink and black) and is size XS up to XL which is what I’m wearing here. 

Available for £80 at: https://www.hellyhansen.com/en_gb/w-escape-anorak-54328?color=627457

Sea-Band Natural Sickness Relief

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

As summer approaches, trips on boats, cars and planes often get dogged by travel sickness.  Medication aside, there is a natural way of preventing it that doesn’t include drugs and is safe even for morning sickness.  Sea-Bands use pressure points on the inside of the wrists to alleviate the symptoms and in some cases, the sickness goes altogether. We were sent a pair to try out and we discovered they’re not just for cruises!

There are two bands in the pack, and they come in their own plastic box to keep them clean, or to have on hand in a handbag or travel luggage as and when needed.  To use, just place them over your wrists (you need to use both bands for them to be effective) and have the button in the inside of your wrist, over the Nei-Kuan point. This acupressure point can be found by placing your middle three fingers on the inside of your wrist, with the third finger just below the first wrist crease. The Nei-Kuan point is found under our first (index) finger.  If you’re placing the Sea-Bands on children, use their fingers to find the same point.

You can place the bands on before a journey or as you start to feel sick, although it can take 2-5 minutes to start taking effect so it’s best to place them on before travelling. Extra pressure on the buttons gives more relief so sleeping with them on and your palms faced down has a greater effect.  If you’re wearing them for morning sickness, you can put them on the night before and wear them all day too.

Sea-Bands have no side-effects and can be used all day to prevent relief, just be sure to adjust them if they come out of place. They’re re-usable too, so you can take them off and store them for another day and wash them gently under water. They’re also used for the symptoms of nausea resulting from anaesthesia and chemotherapy.

We go on cruises frequently, and if you’ve ever travelled through the Bay of Biscay or the North Atlantic, then you’ll know that anti-nausea relief is a MUST!  The Sea-Bands really help with the nausea feeling. They don’t always prevent all of the sickness but they do relieve it, and depending on the cause and severity, can give complete instant relief.

Available for £7.99 at: https://www.amazon.co.uk/Nausearelief-Sea-Band-Wristband-for-Nausea/dp/B0BK1ZR172?ref_=ast_sto_dp&th=1

Shirley Valentine, The Grand Theatre, Blackpool 

Disclaimer: We received free tickets for the purpose of this review but all thoughts and opinions are our own.

Directed by Lotte Wakeham and re-set in Lancashire rather than its original Liverpool, Willy Russell’s popular play, Shirley Valentine, is currently captivating audiences at Blackpool Grand Theatre. We had the pleasure of watching it last night, and it is definitely a production not to be missed!

The story revolves around Shirley, a 42-year-old woman whose children have flown the nest, leaving her feeling stuck in a stagnant marriage and disillusioned with life. We first meet her in her 1980’s kitchen, typical of many a Lancashire home, where she communicates to the audience by talking to the kitchen wall. Through these reflections, she recalls encounters from her past, one minute she’s reminiscing about bumping into an old school friend who’s now a high-class escort, and the next, she’s got us howling with laughter at tales of her son’s school nativity play.

As Shirley shares her story, she’s calmly cooking up egg and chips for husband Joe’s tea, all the while enjoying a well-deserved glass of wine. The unpretentious set and the choice of a classic northern meal felt so comforting and familiar, and it really felt like the audience were being welcomed right into her kitchen. 

As Shirley shares her story, she confides in us about her secret plans for a holiday to Greece with her friend Jane, who’s kindly bought her the ticket. You can sense her inner turmoil as she wrestles with the idea of leaving – who’s going to cook Joe’s meals and keep the house in order while she’s away? But the tipping point comes when her daughter Millandra breezes back home, fully expecting Shirley to keep catering to her every whim. It’s the final straw! As The Clash’s Should I Stay or Should I Go? blasts out, Shirley makes her choice – she’s off! She leaves behind a freezer stocked with meals and a note for Joe. We both agreed it was an absolutely brilliant way to end the first half – full of drama, defiance, and a touch of rock ’n’ roll!

The second half is set in Greece and when Shirley’s friend quickly becomes occupied with a man she met on the plane, Shirley is left to her own devices. Yet, far from feeling abandoned, Shirley embraces the solitude and the opportunity for self-discovery and enjoys it so much she decides to stay in Greece despite Joe wanting her to return home!

Mina Anwar’s performance as Shirley Valentine was absolutely brilliant. In a one-woman show, the challenge of carrying the entire script is no small feat, yet she delivered it flawlessly. She brings such warmth, humour, and depth to the character, effortlessly shifting from heartfelt moments of reflection to laugh-out-loud comedy. It’s no wonder her performance earned a thoroughly deserved standing ovation, her portrayal was so genuine and relatable.

Even though Willy Russell wrote Shirley Valentine over 30 years ago, it still speaks to us today. I know of lots of women who at times wish they could escape and leave everyday life behind – although most of them never would, but it’s nice to dream! This production is uplifting, empowering, and it’s such a wonderful reminder to grab life by the olives and make the most of every moment!

Shirley Valentine is at Blackpool Grand Theatre from Tuesday 1st April to Saturday 5th April. Tickets cost from £15 with concessions for 1894 Club members and Friends of The Grand. Group rates are also available. There is also an Audio Described/BSL performance on Saturday 5th April at 2.30pm

Please call the Grand Theatre Box Office on 01253 290190 or visit the Blackpool Grand website for full listings, bookings and further information.

Photo credits – The Other Richard

The Three Fishes, Mitton

Disclaimer: This meal was gifted to the reviewer for the purpose of this review and all thoughts and opinions are their own.

Tucked away in the charming hamlet of Mitton, right in the heart of the Ribble Valley lies The Three Fishes, a fabulous foodie heaven led by renowned chef Nigel Haworth. With a real passion for local produce and proper, traditional flavours, this place is all about that farm-to-fork goodness. It had been a long time since our last visit and after browsing the enticing menu online we couldn’t wait to tuck into what promised to be a truly special dining experience.

Nigel’s dedication to locally sourced ingredients is evident in every aspect of the menu, with many seasonal elements harvested directly from the restaurant’s kitchen garden or carefully selected from trusted local suppliers. This commitment ensures that each dish is served at peak freshness, resulting in bold, well-balanced flavours that truly shine. From the finest local producers to the restaurant’s own kitchen garden, every ingredient is chosen with care, and the attention to detail elevates even the simplest of dishes. The menu proudly showcases regional treasures like Mrs. Kirkham’s cheese and Morecambe Bay lobster, celebrating the authentic flavours of Lancashire’s rich culinary heritage.

The menu changes with the seasons, meaning there is always something new to discover. On this occasion, we ate from the Farm-to-Fork Tasting Menu, a carefully curated five-course journey through the best that the local land and sea have to offer. Despite it being a midweek evening, the restaurant maintained a lively yet intimate atmosphere, with just the right level of bustle to create a sense of occasion. Service was impeccable, with the knowledgeable staff providing detailed explanations of each dish and offering personal recommendations, particularly when it came to accompaniments for the pheasant. Small but significant touches—such as a waitress noticing our water needed replenishing without being asked demonstrated a level of attentiveness that is all too rare.

The meal commenced with Nigel’s Lancashire Cheese Bread Rolls, made with the renowned Mrs. Kirkham’s Lancashire Cheese. These warm, pillowy rolls were accompanied by a savoury black pea hummus and a bright, herbaceous parsley pesto, an inspired combination of flavors and textures that set the tone for the meal ahead.

Next came the Baked Wilja Potato, sourced from a local farm and presented with samphire butter, fennel coleslaw, and puffed rice. The contrast of crispy, golden skin against the fluffy interior, drenched in rich butter, was simply divine. It was a masterclass in how to elevate a humble ingredient to something truly memorable.

Now, if I had to pick a standout moment from the evening, it would have to be the Morecambe Bay Lobster Soup. A properly well-executed dish, it had a rich, deep-sea flavour that was further enhanced by a bit of cream and a very sensible amount of chili, just enough to make itself known without being overpowering. The addition of sticky rice, along with decent-sized chunks of lobster and haddock, provided a pleasing contrast in texture. Each spoonful was a rather excellent balance of spice and creaminess, and I must say, this is one of those dishes that stays with you – in a good way, of course.

The Ribble Valley Pheasant Breast arrived as a golden-brown schnitzel, fried in pheasant fat for extra depth of flavour, and served with a fragrant herb butter and a spiced crumb. We opted for the super thick chips and cauliflower as accompaniments, though the unexpected highlight was a delightful serving of pheasant shepherd’s pie. Nigel’s philosophy of using every part of the bird resulted in a deeply satisfying dish, succulent minced pheasant with a sweet, moreish flavour, topped with a cloud-like layer of mashed potato.

For dessert, the Foragers Souffle, a delicate apple and bramble souffle was an absolute triumph. Light and fluffy it melted on the tongue and was served alongside a delicious, brown bread ice cream and crunchy croutons, providing a medley of textures that made each mouthful an absolute pleasure. Just when we thought we had finished, a final surprise arrived: a small Eccles cake, its crisp, flaky pastry encasing plump, juicy currants, providing a perfectly sweet ending to an exceptional meal.

Dining at The Three Fishes is a masterclass in how to celebrate local produce with skill, creativity, and a deep respect for the land. Nigel Haworth has created more than just a restaurant, he has crafted an experience that is both comforting and exciting, traditional yet innovative. This is farm-to-fork dining at its finest, and it’s one I’ll be eager to return to again.

5 courses £39 Wednesday & Thursday and £49 on Friday & Saturdays

To book telephone 01254 826666 or email reservations@thethreefishes.co.uk