Tag: London theatre

That’ll Be The Day 40th Anniversary Show

Birthday Gifts, Days Out, Family Life, Father's Day, Gifts for Her, Gifts for Him, Mother's Day, Theatre

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

The hit show That’ll Be The Day celebrates 40 years of touring this year, with a celebratory show that travels throughout the UK in 2026 in two separate tours.

Created by Trevor Payne, who features heavily in the show, That’ll Be The Day chronologically traces music from the 1950s through to the 80s with an emphasis on the early days especially the 60s. The show is in two parts with the second, shorter part being more about the 70s and 80s.  As a show, it is interspersed with sketches about the eras (the Mick Jagger sketch is particularly funny!) and Trevor talks about some of the memories from the past, such as school and how your Mum used to tell you off as a child when you talked back!

The music is the real star here. Trevor explains that the show evolves over time so if you’ve seen the show in the past, this iteration will be completely different to what you’ve seen before.  We start with Billy Haley and Rock Around The Clock, and go into some Dusty Springfield, Four Seasons, Beatles, Elvis and then onto Rolling Stones, Diana Ross, the Eagles, Blondie and many more.  Each song is a hit and has you dancing in your seat. The whole show is upbeat and has lots of songs you’ll recognise such as Help! Simply The Best, Good Vibrations and finishing with the Buddy Holly song, of course, That’ll Be The Day! Look out for the Roy Orbison song too, Pretty Woman, which serves as a running joke throughout the show.

The show collects money for the Make A Wish Foundation charity, and singer Tom Ball, from Britain’s Got Talent, also makes an appearance for several songs.

This is a brilliant night out with a tour that takes in most of the country and appeal to anyone who loves music, not least for those who lived through it and want to bring back memories.  It goes on for over 3 hours too, so there’s no end of entertainment. 

Tickets available from: https://www.thatllbetheday.com/

Emerald Storm at the Emerald Theatre, London

Birthday Gifts, Christmas, Days Out, Gifts for children, Gifts for Her, Gifts for teachers, Theatre

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Hailed as the 21st Century’s answer to Riverdance, the Emerald Storm production by Adam Garcia returns to the West End again, and this time at the Emerald Theatre.

A fusion of Irish dancing, tap dance and urban street dance, the story is brought to audiences by The Boss, played by Tom Ball. A singer in a cabaret show, The Boss punctuates the story as Irish dancers take the stage, The Boss sings, and the immersive theatre happens around you. Watch out for the Mop Boy at this point… then the dancers blend away as tap dancers take the stage and finally singers take on the harmonies as they all take it in turn to bring the dance experience to you.

Every song in this musical extravaganza is accompanied by dance.  The theatre is a cabaret-style, two tier theatre with cocktail tables, several bars and sofa seating to sit back and relax. There are actors walking around before and after the show, who then appear on stage as part of the story.  Not only does Tom Ball need a shout-out for his talent, but principal dancers Olivia Graydon (Irish dancing) Bayley. Graham (tap) and Matt Walker (Mop Boy) also feature heavily in the dancing as well as the interactivity. There’s lots of stomping, clapping, audience echoing and the main show is book-ended with a house band to open, and audience tap dancing on stage afterwards.

There’s a fabulous energy to the show and lots of smiles – genuine smiles between the performers who all hail from performing schools across the country.  The mix of different dance styles is really engaging and is heightened by some fabulous singers and cheeky to-and-fro between the cast and the floor.

It’s an energetic night out with lots of uplifting dance and music, close up and in a cocktail evening style that you don’t get in many places across London nowadays. Magnificent! 

https://www.emeraldstorm.net

Salomé by Oscar Wilde – Theatre Royal Haymarket, London

Days Out, Theatre, Women

Disclaimer – We have received this item for free or on a loan basis for the purpose of this review/feature but all words and opinions are our own.

Wow. Oscar Wilde’s Salomé is probably one of his least known plays (Lady Windermere’s Fan, An Ideal Husband) but was actually one of his biggest grossing and most controversial. The Gesher Theatre Repertoire take this production stratospheric with their portrayal of the Biblical story in an amazing, West End production.

The story of Salomé is easy to follow despite the dialogue being over 100 years old. Salomé (Neta Roth) is the stepdaughter of King Herod (Doron Tavori), who is married to her mother (Lena Fraifeld). Jon the Baptist (Shir Sayag) is referred to as Jokanaan in the play, and is imprisoned by Herod for Jokanaan’s comments about Herod’s wife, Herodias.  Herodias. Thinks nothing of Jokanaan, but her daughter Salomé is obsessed by his voice and wants to meet him. Her obsession grows, and she wants to touch him and kiss his mouth but Jokanaan, believing she is the “daughter of Sodam” tells her to stay away from him and that she will never kiss him.

Herod becomes infatuated with Salomé and begs her to dance for him, exclaiming that she can have anything in his kingdom if she does so. Herodias begs her daughter not to dance for her husband, but eventually, Salomé dances the dance of the seven veils for her stepfather.  In return, she tells him only after he has sworn on oath to give her anything, that she wants, “The head of Jokanaan on a silver platter.” The discussion goes on for some time as Herod offers her anything but the death of John the Baptist, as Herod is fearful of what may happen if he kills a prophet. He eventually relents though, and Salomé gets her wish.

I won’t give away the ending but let’s say it’s fitting, and very dramatic.

The creative production of this play is beyond amazing. Based on the troubles in the Middle East, there isn’t a corner spared which hasn’t been thought out carefully. You forget that this play is 125+ years old as the costumes, stage scenery and acting are exemplary.  I cannot over emphasise how good the acting is in this production, especially Neta Roth and Doron Davori, who create the most amazing energy and Roth especially, who is in nearly every scene of the one-act play, has a talent you only see in the West End. I also need to pay respect to Shir Sayag who plays John the Baptist. The scenes where he is captive and then again when Salomé meets him face-to-face are astonishing. 

I came away from the play with a new found respect for Wilde, but this production takes it to a whole new place. It’s a very thought provoking, modern take on an ancient story but an exceptionally well written Oscar Wilde play. I could go back several times and see this production, for the creative freshness it brings but the outstanding cast and their interpretation of the story, it left me in awe. Exceptional! 

Salome runs at The Theatre Royal Haymarket until 11 October. Details and tickets: https://trh.co.uk/whatson/salome/