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Wow. Oscar Wilde’s Salomé is probably one of his least known plays (Lady Windermere’s Fan, An Ideal Husband) but was actually one of his biggest grossing and most controversial. The Gesher Theatre Repertoire take this production stratospheric with their portrayal of the Biblical story in an amazing, West End production.
The story of Salomé is easy to follow despite the dialogue being over 100 years old. Salomé (Neta Roth) is the stepdaughter of King Herod (Doron Tavori), who is married to her mother (Lena Fraifeld). Jon the Baptist (Shir Sayag) is referred to as Jokanaan in the play, and is imprisoned by Herod for Jokanaan’s comments about Herod’s wife, Herodias. Herodias. Thinks nothing of Jokanaan, but her daughter Salomé is obsessed by his voice and wants to meet him. Her obsession grows, and she wants to touch him and kiss his mouth but Jokanaan, believing she is the “daughter of Sodam” tells her to stay away from him and that she will never kiss him.
Herod becomes infatuated with Salomé and begs her to dance for him, exclaiming that she can have anything in his kingdom if she does so. Herodias begs her daughter not to dance for her husband, but eventually, Salomé dances the dance of the seven veils for her stepfather. In return, she tells him only after he has sworn on oath to give her anything, that she wants, “The head of Jokanaan on a silver platter.” The discussion goes on for some time as Herod offers her anything but the death of John the Baptist, as Herod is fearful of what may happen if he kills a prophet. He eventually relents though, and Salomé gets her wish.
I won’t give away the ending but let’s say it’s fitting, and very dramatic.
The creative production of this play is beyond amazing. Based on the troubles in the Middle East, there isn’t a corner spared which hasn’t been thought out carefully. You forget that this play is 125+ years old as the costumes, stage scenery and acting are exemplary. I cannot over emphasise how good the acting is in this production, especially Neta Roth and Doron Davori, who create the most amazing energy and Roth especially, who is in nearly every scene of the one-act play, has a talent you only see in the West End. I also need to pay respect to Shir Sayag who plays John the Baptist. The scenes where he is captive and then again when Salomé meets him face-to-face are astonishing.
I came away from the play with a new found respect for Wilde, but this production takes it to a whole new place. It’s a very thought provoking, modern take on an ancient story but an exceptionally well written Oscar Wilde play. I could go back several times and see this production, for the creative freshness it brings but the outstanding cast and their interpretation of the story, it left me in awe. Exceptional!
Salome runs at The Theatre Royal Haymarket until 11 October. Details and tickets: https://trh.co.uk/whatson/salome/
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